Once Upon a Time… in Hollywood

Hollywood. 1969. Screen actor Rick Dalton (Leonardo DiCaprio) has been reduced from former star of TV Western Bounty Law to villains in other serial episodes. He needs to do something to get his career back on track. His stunt double Cliff Booth (Brad Pitt) acts as his driver and general handy man and is also a trusted friend and confident. As Cliff drives around the city, he sees hippie girls hanging out or thumbing lifts on the Los Angeles roadside, some of them as he will discover members of Charles Manson’s now infamous ‘Family’ cult. Rick’s next door neighbours on Hollywood’s exclusive Cielo Drive are celebrity film director Roman Polanski (Rafal Zawierucha) and his pregnant, rising star actress wife Sharon Tate (Margot Robbie), although Rick has never met them.

Littered with pop culture references ranging from movie posters on billboards and titles on theatre marquees to clips from film and television, popular music from the period and even radio ads featuring Batman, Tarantino’s script mixes fact and fantasy, real and fictional characters. A part of it takes place in February 8-9 1969 then leaps forward to August 8-9 of the same year. The latter date is that of the real life Tate murders when members of the Manson Family broke into the Polanski/Tate home and killed everyone who was there, including the eight and a half months pregnant Sharon Tate. The Manson Family were living on the Spahn Movie Ranch, a former location for shooting Westerns owned by the now blind George Spahn (played in the film by Bruce Dern in an astounding turn). A little of Sharon Tate’s movie career is covered too, specifically The Wrecking Crew (Phil Karlsen, 1968) which is playing at a cinema that the actress visits.

Although the Rick Dalton/Cliff Booth characters and story are pure invention, they intertwine with more factually and historically based material. There’s an apocryphal sequence of Rick playing the Steve McQueen (Damian Lewis) character in The Great Escape (John Sturges, 1963) with DiCaprio cleverly replacing McQueen to interact with the other actors in otherwise genuine footage from that film. Booth gives flower girl Pussycat (Margaret Qually) a lift to the Spahn ranch hoping he might be able to visit his old boss whom he hasn’t seen for years. Tarantino has a lot of fun with all this, both on period Hollywood Studio lots and in the wider world of L.A. and beyond, at one point staging an impromptu fight between Booth and Bruce Lee (Mike Moh) when he was playing Kato in The Green Hornet.

The whole thing runs for the best part of three hours but never outstays its welcome. Tarantino here makes full use of his lengthy running time, packing in a riot of incidental visual and aural detail and allowing scenes to play out for just as long as they need. The whole thing is a love letter to Hollywood, to L.A. and to the tail end of the 1960s and is hugely entertaining. Pitt and DiCaprio make memorable onscreen buddies. Neither of them has ever been better. Nor, arguably, has Tarantino. The amazing cast to be found in its numerous, additional bit parts includes Dakota Fanning, Luke Perry, Timothy Olyphant, Al Pacino, Kurt Russell, Emile Hirsch, Michael Madsen, Zoe Bell, Scoot McNairy and Brenda Vaccaro. And the level of sheer background detail may make this a film you’ll want to return to again and again.

Once Upon A Time… In Hollywood is out in the UK on Wednesday, August 14th. On Netflix on Wednesday, July 7th. Also available on other platforms.

Birth of the Dragon

In 1964, a 24-year-old Bruce Lee (Philip Ng), still mostly unknown to the world, operates a Kung Fu academy in San Francisco. He is a doting, effective and also very demanding master, who has quickly earned the respect of his mostly white and American students. Steve McKee (Billy Magnussen) is amongst the learners. One day the emblematic Chinese martial artist and teacher Wong Jack Man (Xia Yu) decides to visit the US in what he describes as a “penance trip” (he wishes to subdue his pride by staying away from fighting after nearly killing one of competitors in China).

Birth of the Dragon – a title alluding to Bruce Lee’s final film Enter the Dragon (Robert Clouse, 1973), released just six days after Lee’s untimely death caused by an allergic reaction to painkillers – is a film “inspired” in real events. Several elements did take place, such as Lee’s stint as a teacher, Wong Jack Man’s trip to the US and, most importantly, the historical fight between the two men in the final third of the movie. Other bits are fictionalised, such McKee’s character as well as a female called Xiulan (Jingjing Qu) with whom he develops a romantic affiliation. There are also some evil mafia people who want to prevent Billy and Xiulan from being together, and I would comfortably hazard a guess that this part was also entirely concocted for the movie.

The last third of the movie is impressive, and the fighting scenes are particularly beautiful and elegant (even for someone like myself, who’s not a big fan of martial arts), and never too gruesome. The film also educates viewers about the real nature of kung fu: “it resides, not in the fists”, and it’s more about “self-respect” than respect from others, Jack Man explains. Very significantly, the movie also highlights the struggle between modern and tradition. Jack Man does not wish to see Bruce Lee catapult kung fu onto the mainstream (TV and cinema). At first, he frowns upon Lee’s vanity and ambition.

The major problem with Birth of the Dragon is that a large chunk of the story arc is built upon the white heartthrob Billy, and his romance eventually becomes the central pillar and the driving force of the movie. The kind and courageous white hero – if a little clumsy – wishes to save the vulnerable girl in the hands of evil criminals and unable to fend for herself. This is both cliched and redundant.

Birth of the Dragon is out in cinemas across the UK on Friday, February 23rd. All in all, this is a movie fun enough to watch, but not to be taken very seriously