Tag: Leonardo DiCaprio

Once Upon a Time… in Hollywood

Posted on by Jeremy Clarke

Hollywood. 1969. Screen actor Rick Dalton (Leonardo DiCaprio) has been reduced from former star of TV Western Bounty Law to villains in other serial episodes. He needs to do something to get his career back on track. His stunt double Cliff Booth (Brad Pitt) acts as his driver and general handy man and is also a trusted friend and confident. As Cliff drives around the city, he sees hippie girls hanging out or thumbing lifts on the Los Angeles roadside, some of them as he will discover members of Charles Manson’s now infamous ‘Family’ cult. Rick’s next door neighbours on Hollywood’s exclusive Cielo Drive are celebrity film director Roman Polanski (Rafal Zawierucha) and his pregnant, rising star actress wife Sharon Tate (Margot Robbie), although Rick has never met them.

Littered with pop culture references ranging from movie posters on billboards and titles on theatre marquees to clips from film and television, popular music from the period and even radio ads featuring Batman, Tarantino’s script mixes fact and fantasy, real and fictional characters. A part of it takes place in February 8-9 1969 then leaps forward to August 8-9 of the same year. The latter date is that of the real life Tate murders when members of the Manson Family broke into the Polanski/Tate home and killed everyone who was there, including the eight and a half months pregnant Sharon Tate. The Manson Family were living on the Spahn Movie Ranch, a former location for shooting Westerns owned by the now blind George Spahn (played in the film by Bruce Dern in an astounding turn). A little of Sharon Tate’s movie career is covered too, specifically The Wrecking Crew (Phil Karlsen, 1968) which is playing at a cinema that the actress visits.

Although the Rick Dalton/Cliff Booth characters and story are pure invention, they intertwine with more factually and historically based material. There’s an apocryphal sequence of Rick playing the Steve McQueen (Damian Lewis) character in The Great Escape (John Sturges, 1963) with DiCaprio cleverly replacing McQueen to interact with the other actors in otherwise genuine footage from that film. Booth gives flower girl Pussycat (Margaret Qually) a lift to the Spahn ranch hoping he might be able to visit his old boss whom he hasn’t seen for years. Tarantino has a lot of fun with all this, both on period Hollywood Studio lots and in the wider world of L.A. and beyond, at one point staging an impromptu fight between Booth and Bruce Lee (Mike Moh) when he was playing Kato in The Green Hornet.

The whole thing runs for the best part of three hours but never outstays its welcome. Tarantino here makes full use of his lengthy running time, packing in a riot of incidental visual and aural detail and allowing scenes to play out for just as long as they need. The whole thing is a love letter to Hollywood, to L.A. and to the tail end of the 1960s and is hugely entertaining. Pitt and DiCaprio make memorable onscreen buddies. Neither of them has ever been better. Nor, arguably, has Tarantino. The amazing cast to be found in its numerous, additional bit parts includes Dakota Fanning, Luke Perry, Timothy Olyphant, Al Pacino, Kurt Russell, Emile Hirsch, Michael Madsen, Zoe Bell, Scoot McNairy and Brenda Vaccaro. And the level of sheer background detail may make this a film you’ll want to return to again and again.

Once Upon A Time… In Hollywood is out in the UK on Wednesday, August 14th. On Netflix on Wednesday, July 7th. Also available on other platforms.

Ice on Fire

Posted on by victorfraga

QUICK SNAP: LIVE FROM CANNES

Our planet is getting warmer. The amount of carbon dioxide (CO2) in our atmosphere grew from 80 ppm (parts per million) in pre-industrial times (about 200 years ago) to more than 400 ppm at present. In a few decades, it could reach 700 ppm, causing sea levels to rise more than 80 metres. And it isn’t just carbon dioxide that’s threatening us. The methane levels are also alarmingly high. Ice on Fire investigates the impact of such changes on our planet and reveals some very peculiar initiatives created in order to mitigate and even to fix the dangerous phenomena.

The biggest issue that we’re facing right now is that we are releasing far more CO2 into the atmosphere than “sequestering” it into solid materials (a scientific term meaning “removing from the atmosphere”). The fossil fuels are largely to blame, as is deforestation. The Arctic suffers the most as temperatures rise three time faster than elsewhere, killing off the jet streams (air currents) that keep the rest of the planet nice and cool.

Methane is being leaked largely due to coalbed gas extraction, the Four Corners region of the US being a notorious hot spot. In the second half of the movie, two scientists drill a hole in the Alaskan permafrost allowing methane (which is a flammable gas) to flow into the air. They then proceed to light it, creating the titular fire of ice. This lethal combination of CO2 and methane in our atmosphere could lead to a temperature rise of up to 2C as early as 2050, with catastrophic consequences for the Earth and its living creatures.

Fortunately for us, a lot of clever scientists and entrepreneurs are already taking action in order to avoid the imminent tragedy. In the US, giant wind turbines are sequestering CO2 from the atmosphere and turning it into rocks, and the project in now being rolled out in Iceland. A major carbon immobilisation spot has been set up in the Orkney Islands of Scotland, where underwater propellers do the dirty work. We also learn that redwood trees and a large seaweed known as kelp are also very good for sequestration, and there are a few initiatives aiming to disseminate these terrestrial and aquatic plants.

Some impressive drone and time lapse images of the Arctic, Iceland, the Orkney Islands and various parts of the US combined and a subtle humming score in order to provide a impressive texture to the movie. Talking heads interviews explain the nuts and bolts of the various phenomena and the technologies. A narrator in voice-over makes the profound reflections about our future

Ice on Fire, however, fails to address the impact of climate change on the most vulnerable communities of our planet. While everyone around the world feels the effects of climate change, people living in the world’s poorest countries – such as Bangladesh, Haiti and Timor-Leste – are the most vulnerable. Shifting seasons and natural disasters (such as severe draughts in Timor Leste and flooding in rural Bangladesh) disproportionately threaten these peoples, increasing their dependency on humanitarian aid. The doc instead focuses almost entirely on the US and Europe.

It’s also very peculiar that Ice on Fire avoids talking politics. It never addresses which countries and governments are doing their best in order to tackle climate change. The film alludes to the Paris Agreement several times, yet it fails to mention that Donald Trump withdrew the US from international treat exactly two years ago. A very strange omission.

But the biggest problem with Leila Conners’s doc is that the call-to-action is just too broad. It hardly tell us anything we do not already know. It’s common knowledge (except amongst climate change deniers, but these people are not going to watch the film anyway) that our planet is dangerously close to the tipping point, and that we need to take serious action now. But what is it that each one of us can do individually in order to prevent global warming? We’re not going to jump into the cold and ferocious waters of the Orkney Islands in order to operate a device that looks like a floating UFO. We need practical solutions that each and everyone of us can implement in our daily routines.

Ice on Fire was produced and narrated by Leonardo DiCaprio, who also makes a very brief appearance in the end of the movie. It just premiered at the 72nd Cannes International Film Festival. The screening was attended by the film director and the film producer, who gave a passionate speech about climate change.