The Keeper (Trautmann)

Set in WW2 and its aftermath in Britain, this looks at first sight like a football movie. However, it becomes something else altogether by taking a long hard look at the plight of a person living in another country that’s heavily prejudiced against his own. Sadly one doesn’t have to look very far in present day, hostile environment Britain to see that such attitudes are currently very real and out in the open. This means that although this ostensibly covers real life events from over half a century ago, certain elements will likely resonate with contemporary UK audiences well beyond football fans.

German infantryman Bert Trautmann (David Kross) is captured by the British in WW2 and sent to a PoW camp just outside Manchester. Despite the presence of a few hardcore Nazis among the prisoners, most including Bert are ordinary Germans caught up in the conflict. Nevertheless, the English sergeant who runs the camp would have all of them shot were the decision his and makes their lives as difficult as possible.

However Bert has something specific in his favour: for as long as he can remember, he’s loved playing football. A chance sighting of his goalkeeping skills by visiting shopkeeper and amateur team manager Jack Friar (John Henshaw) leads to Bert’s helping out at Jack’s shop although in reality he’s there to be the local team’s new goalie. Despite anti-German prejudice from Bert, his daughter Margaret (Freya Mavor) and members of the football team, Bert’s determination to make things work off the field and his footballing skills themselves lead not only to his eventual signing by Manchester City but also to romance, marriage and family life with Margaret.

The widespread hatred of the Germans by the English during and after the War here serves as the backdrop to Bert’s relationships with others. On an individual level, he always has to start by winning people over before they can accept him. Jack is motivated by the fact of his team’s current goalie not being very good rather than any altruistic desire to help an enemy alien find acceptance in England’s green and pleasant land. Margaret likewise dislikes Bert and his fellow countrymen for what they’ve inflicted on her country and countrymen, but being confronted with a real life, breathing human being forces her to re-examine the ideas that everyone around her unquestioningly accepts.

Such tensions are equally evident on a wider social level. Jack first presents Bert to the team as someone who can’t speak with a scarf round his throat, correctly guessing not only that the other players won’t take kindly to the German’s national identity as soon as he opens his mouth and speaks with an accent but also that they’ll be rapidly won over if they see him in action in goal. And when Bert turns professional his Man City career is dogged for some while by that city’s Jewish community leaders’ understandable misgivings regarding his presence.

Overall, the film has much to say about how peace, forgiveness and reconciliation can broker a path through seemingly intractable and divisive prejudices to a much better place. It also delves into Bert’s internal torment as to whether he could have done more to change the outcome of an incident in his past when a superior German officer stole a football from a Jewish boy, teased him and then shot him dead. This memory periodically surfaces in Bert’s head until, in the final reel, events take an unexpected turn to put Bert and Margaret’s marriage under severe stress.

Working through these difficult and sometimes painful issues is underscored at the end as crowds of fans sing Abide With Me, a Christian hymn that’s been wrested away from its church roots and come to represent a deep spiritual truth about British people gathering together to watch, support and enjoy football. This in turn comes to stand for an acceptance of those who are different within wider British society. A helpful parable indeed for the UK’s present, troubled times.

The Keeper is out in the UK on Friday, April 5th. Watch the film trailer below:

The Cured

Senan (Sam Keeley) is haunted by his past. Blood. Eating human flesh. He had no control after Conor (Tom Vaughan-Lawlor) bit him. Senan killed his brother. Now, years after the outbreak of the Maze virus across Europe, some 75% of former zombies have been returned to human consciousness but retain the memory of anti-social actions they could not control. Senan is one of their number, the cured. That leaves another 25% locked away in institutions. While the 25% sense that the 75% are like them and don’t attack them, they still pose a threat to everyone else who was never infected.

Senan has been reassigned to live with his bereaved sister-in-law Abbie (a terrific Ellen Page) who has agreed to take him in while he readjusts to society. He’s lucky: as the army’s Captain Cantor (Stuart Graham) tells him, not everyone’s family will have them back after what occurred. Just ask Conor: his father blames him for the death of his mother. Ireland is divided over the situation. The government talks of humane extermination for the 25%. Signs of a C with a diagonal slash though it have become the symbol to express anger towards the cured and there are ugly scenes and fighting on the streets.

Filmed amidst the familiar bricks and mortar of the streets of Northern Ireland, this is the zombie movie recast as a brutal essay on difference: us and them. People divided by forces not of their own making. Abbie just wants to raise her small son Cillian and feels tension between herself and the anti-cured world, between herself and Senan who may know exactly how her husband died, and between herself and Conor who she doesn’t trust but who feels an attraction towards her.

The cured are required to take low social position jobs as part of their reintegration and Senan finds himself assigned as assistant to the kindly Dr Lyons (Paula Malcomson) who is engaged on the treatment of virus sufferer Jo (Hilda Fay) for whom she believes a cure can be found.

Conor becomes increasingly angered by the situation and rallies other cured to take action, starting with firebombing houses and ending, towards the finale, with the release of the 25% “because they’re like us”. With Senan becoming increasingly hostile to Conor’s actions, the two are set for a head on collision with Abbie’s son caught in the middle in a heart-stopping climax.

A zombie movie with a difference, this uses the genre to conjure up images of prejudice, sectarianism and the fuelling of hate. Images speak to Northern Ireland’s past: streets where it isn’t safe to walk, people assaulted or abused by army personnel, a masked assailant attacking a man in his family home. The narrative speaks equally to wider situations too – an Ireland divided by a Brexit border, a Britain rebooted as a Hostile Environment, a Europe set against refugees from outside, apartheid, the Holocaust… any situation where fear pits one group against another. That’s really not what you expect from a zombie movie.

Consequently, one wonders exactly what zombie movie fans will make of it. On the flip side, it remains to be seen whether art movie lovers who wouldn’t normally go near something like this can be persuaded to endure the violence and mayhem for the sake of the searing dramatic content. This being a brave attempt at something very different, which comes off, you should make the effort to go and watch it.

The Cured is out in the UK on Friday, May 11th. Watch the film trailer below: