DMovies - Your platform for thought-provoking cinema

The Third Murder

The dirtiest voice of Japanese cinema delivers a very personal noir thriller interweaving profound human emotions - now available on VoD

F ollowing his captivating examination of the family in After the Storm (2016), Hirokazu Koreeda continues his prolific form of one-film-a-year and delivers a multi-layered emotional tapestry in The Third Murder. Pre-dating the appearance of the title on screen, Misumi (Kôji Yakusho) commits the titular cardinal sin, whilst stealing the dead man’s wallet. Charged on the account of murder and robbery, his fate looks sealed until the prudent lawyer Shigemori (Masaharu Fukuyama) seeks to add truth to the matter. Retaining the familial themes that have imbued his works with a vibrant quality, whilst venturing to pastures green, Koreeda entrances you into the seams of his narrative; leaving one emotionally charged and contained.

Throughout, the murder which Misumi has committed only has one valid piece of evidence; his confession. Apart from the fact he worked at a canning factory owned by the man he killed, there is actually very little hard evidence to support Misumi committing murder. Shigemori is all too aware of this and proceeds to look beyond Misumi’s confession and study the actual narrative of the killing. Previous to Shigemori’s involvement, his father examined the case but was all too swift to jump towards the conclusion that the murder was all down to Misumi.

Working in a small team of four, Shigemori’s work relationship is imbued with a tender stroke by Koreeda. Replicating the narrative bonding act of eating noodles, which is so fundamental to the relationships in After the Storm, ingrains a delicate characteristic to the lead. Acting as a cathartic escape from the stresses of the murder case, such senses add levity towards the Noirish elements of Misumi’s brutal act of murder. The fine balance between light and dark tones is an artistic stroke of virtuosity from the director, resulting in a deep emotion investment to all the characters, regardless if they are criminals or not.

Similar to Our Little Sister (Hirokazu Koreeda, 2015) an exploration of young femininity is unearthed in Sakie (Suzu Hirose). The daughter of the man Misumi killed-or seemingly so- she is a vulnerable tender being. Operating to a level of secrecy towards Shigemori, the secrets of her father are uncovered through her. Hirose’s graceful pale faces furthers the progress of her character’s tenderness too.

Matching Misumi and Shigemori, Mikiya Takimoto’s CinemaScope camera fills their claustrophobic encounters in the holding cell with peculiar angles, occasionally merging the two men’s faces together or intimately. Recalling the aesthetics of Robby Müller’s cinematography in Wim Wender’s essential Paris, Texas (Wim Wenders, 1984), it is absorbing to witness.

Adding to an already impressive and varied filmography, Koreeda serves up a delightful slice of enthralling cinema. Akin to the varying genres explored by Francois Ozon from 8 Women (2002) to Frantz (2016) knows what field the Japanese director will operate in next. This interchangeable form of filmmaking is as good as it gets.

The Third Murder was out in UK cinemas in March. It’s out on VoD on Monday, July 16th. The director won the Palme d’Or in Cannes for his latest film Shoplifters, yet to be released in the UK and elsewhere.

By Alasdair Bayman - 20-03-2018

Alasdair Bayman is a recent graduate of English Literature at The University of Manchester. Writing for the Mancunion for two years as a senior film critic, in the process he interviewed Julia Ducourn...

DMovies Poll

Are the Oscars dirty enough for DMovies?

View Results

Loading ... Loading ...

Most Read

Forget Friday the 13th, Paranormal Activity and the [Read More...]
Just a few years back, finding a film [Read More...]
A lot of British people would rather forget [Read More...]
Pigs might fly. And so Brexit might happen. [Read More...]
Sexual diversity is at the very heart of [Read More...]
Films quotes are very powerful not just because [Read More...]

Read More

After the Storm

Hirokazu Koreeda

Victor Fraga - 31-05-2017

A hurricane of emotions: Japanese family drama rescues complex sentiments from candid dialogues and trivial events, with inevitable comparisons to Ozu's Tokyo Story - now on BFI Player [Read More...]


François Ozon

Tiago Di Mauro - 07-09-2016

The pinnacle of François Ozon's talent: the highly prolific French filmmaker travels back in time to the Weimar Republic in order to solve a death mystery, and excels in his elegant and elaborate style. [Read More...]


Kōji Fukada

Jeremy Clarke - 03-05-2017

Tuning the pump organ: Japanese thriller in family drama clothing has a man’s old friend just released from prison teach a child how to play a music instrument, to devastating consequences - in cinemas this week [Read More...]

Facebook Comment

Website Comments