Tag: Second World War

Harry Birrell Presents Films of Love & War

Posted on by Paul Risker

In 1928, a boy by the name of Harry Birrell was given a cine-camera. He’d spend the rest of his life filming his friends and family, and documenting his time spent away from home in India, Burma and Nepal during the Second World War. Incorporating recently discovered entries from his diaries by his granddaughter Carina Birrell, director Matt Pinder edits together footage from over 400 of Harry’s films. The result is the story of one man’s remarkable experience of the 20th Century, a romantic and captivating adventure of a bygone era.

In Bombay, he commanded a Gurkha battalion in the Indian army. In the jungles of Burma, he went behind enemy lines, mapping the country during the Japanese invasion. Fittingly titled, Harry Birrell Presents Films of Love & War, it’s a vision of happiness and sadness, of love, friendship and loss.

The shadow of death haunts Harry’s vibrant life even as a young man living a free and spirited existence in the 1930s. His own father was killed in action in the First World War. Like his father before him, he prepares to follow in his footsteps and serve. Richard Madden narrates one diary entry in which Harry beautifully articulates life’s impermanence, of how moments shared with friends could be their last. It’s a moment that reminds us of the intimate closeness of life and death that defined lives in this period.

One can be forgiven for coming to think of Harry as a friend. His pleasant nature and loyalty towards his men, forms an impression that if we’d have ever met him and his curious camera, we’d have become lifelong friends. By the end of the film, there’s a feeling of loss that the story of this remarkable person had to end. To see him credited as director of photography on a professionally produced and distributed film is a fitting full stop on Harry’s life, for who film was one of his great and enduring love affairs.

Harry Birrell Presents Films of Love & War, offers us the simple pleasure of sharing in someone else’s experiences. Harry’s recordings bring history alive, or rather they keep history alive. His films and this documentary are invaluable to us in the present and the future, and should be shown in history classes to impress wisdom on the minds of the young.

We cannot appreciate the experience that generation went through. Pinder’s documentary allows us to get as close as we can to the past, and the trauma that made it difficult for veterans to talk about their experiences. The film culminates in an emotional crescendo, a moving tribute to an interesting man and his unexpected adventure, that we’re privileged for it to be shared with us.

Harry Birrell Presents Films of Love & War is on DVD and Blu-ray on Monday, June 28th.

The Painted Bird

Posted on by Jack Hawkins

The title of this film – and the novel it’s based on – refers to a moment in which a peasant catches a bird, covers it with paint and releases it to the flock circling above. When the bird rejoins them, its altered appearance causes the group to swipe it to death. Meanwhile, the peasant observes with a gruff chuckle, amused by his casual sadism. This is the grim metaphor of The Painted Bird, a Holocaust film that meditates on prejudice, cruelty and just about every negative human instinct one can think of.

The story, allegedly autobiographical, follows a young boy leading a nomadic existence in a slew of Eastern European backwaters during the Second World War. Separated from his parents, he meanders from village to village, hissed at and beaten by almost everyone he encounters. Whether he’s cursed as a gypsy, a Jew or even a vampire – the boy is always a painted bird.

For Czech filmmaker Vaclav Marhoul, this relentlessly harsh story has been an 11-year passion project, and this shows in the quality of his grueling three-hour adaptation, which he wrote, directed and produced. It is a work of genuine auteurship that brushes shoulders with the likes of Ivan’s Childhood (Andrei Tarkovsky, 1962) and Come and See (Elem Klimov, 1985).

What is most impressive about Marhoul’s film is how it captures the novel’s pace and brooding tone. The reticent first-person narrative has been adapted into a film of visuals and diegetic sound rather than dialogue, absorbing you with Vladimir Smutny’s stark, monochromatic camerawork. Indeed, it is quite uncanny how Marhoul presents Kosinski’s imagery just as you imagined it, capturing the sense of wilderness and base instinct that makes the novel so engrossing.

The narrative is chaptered according to whose guardianship the boy falls into: Marta, Olga, Miller, Lekh & Ludmila, et al. He experiences some mercy with these people, but it proves fleeting as wicked ulterior motives emerge. After all, he is traversing a war-ravaged landscape with little centralised authority, where the mob rules and order is maintained with arbitrary beatings.

Naturally, this violence begets violence, and there are shades of Bad Boy Bubby (Rolph de Heer, 1992) in how the young boy vents his anger. He is bottom of the totem pole wherever he goes, but with animals – namely a goat – he can exact savage revenge against his miserable existence. Soon, the boy graduates to humans, following the only moral instruction he is given during this hellish odyssey, “Remember… an eye for an eye, a tooth for a tooth.” This commentary on the cyclical nature of violence is one of the most interesting features of Marhaul’s film and Kosinski’s book. It is the most twisted coming of age tale imaginable, depicting how abusers have often themselves been abused. After the litany of sadism and death the boy endures, it doesn’t bear thinking about what sort of man he will become.

It’s been 55 years since Jerzy Kosinski’s The Painted Bird was published in the United States. Kosinski would go on to befriend Peter Sellers, write the screenplay for Being There (Hal Ashby, 1979) and give a memorable supporting turn in Reds (Warren Beatty, 1981). But it is only now, thanks to Vaclav Marhaul’s dogged passion, that the late writer’s Goldingesque morality tale has been realised on the big screen.

The Painted Bird is out in cinemas on Friday, September 11th.