Golden Voices

QUICK SNAP: LIVE FROM THE TALLINN BLACK NIGHTS FILM FESTIVAL

It’s 1990. Sicty-two-year-old Raya (Maria Belkin) and her husband Victor (Vladimir Friedman) have just migrated to Israel, leaving behind their home nation and decades of dubbing foreign films into Russian for Soviet audiences. They have to grapple with a number of novel challenges: finding a job, paying rent, filling out paperwork and living with the constant fear of a chemical attack (it was of the year the First Gulf War). They also have to learn Hebrew from scratch, a language entirely foreign to the, despite their Jewish heritage.

Due to her impressive vocal skills – she can switch from one voice to another effortlessly – Raya quickly lands a well-paid job as a… telephone sex worker. She must entertain and tickle the libido of Sergey, Serge and many other lonely males at the other end of the line. Her husband – who’s blithely unaware of the real nature of his wife’s new occupation – also leverages his past work experiences. He finds work as a dubber in the video shop catering for Russian speakers. The trade is entirely illegal. Videos are captured with a hidden camera inside in the movie theatre, and Victor has to assist on every step of the operation (not just the dubbing bit).

These various pressures and changes take their toll on Raya and Victor’s marriage, and their once solid relationship begins to collapse. A brand new love grows in the most unlikely of places, but could it also blossom? Golden Voices has some ingredients an old-age romcom, yet it’s never mawkish and implausible. In fact, it’s perfectly relatable and credible – whatever your age, religion and nationality. Belkin is beyond magnificent with her large pearly eyes and expressive lips. She combines an exuberant personality with a quiet and yet assertive joie-de-vivre. She’s delicious to watch. Friedman is also very convincing as the devoted husband and cinephile.

Raya is seeking a sense of freshness and adventure, some sort of personal rebirth. She can act and sound 22 years of age whenever she wishes. There’s a real sense of tenderness in her strength. She is a fascinating artist and human being.

This 88-minute-long Israeli movie is a also a nostalgic tribute to the seventh art. Fellini is repeatedly referenced through the movie, particularly 8 1/2 (1962) and The Voice of the Moon, which was in cinemas in the year our story takes place. The movie theatre is a place for redemption and reconciliation, the final sequence reveals. Golden Voices is also a hilarious movie. The awkward sex phone sequences will have your bursting out with laughter. The movie even manages to find both humour and warmth in a possible chemical attack.

Director Evgeny Ruman and cinematographer Ziv Berkovich joined forces in order to write the fascinating screenplay based on their very own childhood experiences upon arriving in Israel in the year of 1990. Their parents worked as dubbers in the Soviet Union prior to immigration.

Golden Voices has just premiered in Competition at the 23rd Tallinn Black Nights Film Festival. A strong contender for the event’s top prize. Our editor Victor Fraga is covering the event live, as a special guest.

Foxtrot

Get ready for a feast for the eyes. A visual orgasm conceived by DOP Giora Bejach. The creativity shows in every single frame, with a variety of angles, lighting and textures. Foxtrot is both a beautiful film and a piece of art. In fact, the sales company The Match Factory is marketing it as an arthouse piece. The company’s portfolio already includes dirty gems such as Waltz with Bashir (Ari Folman, 2008), Hannah Arendt (Margarethe von Trotta, 2012) and The Second Mother (Anna Muylaert, 2015). Foxtrot is a welcome addition, and it’s certain to help the company to conquer foreign markets.

This Israeli movie is a visual ballet divided in three acts: Michael Feldman (Lior Ashkenazi) is informed that his son Jonathan (Yonatan Sharay), a conscript in the Israeli Army, has died; Jonathan’s days of military service in the Israeli Defense Forces, and; a long conversation between Michael and Jonathan’s mother, Dafna (Sarah Adler). Each act has a distinctive touch, and all three are strangely pleasant to watch.

The art direction is impeccable, often resembling cartoons. In fact, it turns out that Jonathan is a cartoon artist, and he spends most of his time making drawings while in the line of duty. The music score also helps to engage audiences from the beginning to the very end.

The relationship between the drawings and reality help to tie the narrative together. Michael’s experiences look like they have been taken out of his son’s drawings. And vice-versa. This is a deft device representing the bond between father and son. The two men are very far from each other, yet they are connected through their longing as well as the film’s cinematography. The revelation of Jonathan’s death and Michael’s decision to “dance” through his new reality are the central pillars of the movie.

A sequence to the sound of Gustaf Mahler’s Adagietto is one of the highlights of the movie – is this perhaps a tribute to Luchino Visconti, who famously used the song in his 1971 classic Death in Venice? Oh, and be prepared for a very unexpected twist, which intentionally renders the movie ambiguous and surreal.

The fact that the Feldmans are atheist is not irrelevant – the director explores a different facet of Israel, detached from the Jewish establishment. This is also a fiercely anti-war movie, about the catastrophic consequences of army duty for those who have no choice but to enlist (military service is compulsory in Israel). This is a mind-blowing film, likely to become both critically acclaimed and commercially profitable.

Foxtrot was the grand jury runner-up at the 74th Venice International Film Festival in September 2017, when this piece was originally written. The filmmaker had previously won the Golden Lion for Best Picture (the Festival’s top prize) eight years ago with Lebanon. It’s out in cinemas across the UK on Friday, March 1st (2019)

Foxtrot is in our Top 10 Dirtiest Films of 2017 – click here for the full list!