Home

Where is home after all? The strikingly dark Belgian film Home is based on real events, and it will make you reconsider your views on where “home” should be. Is it a physical place, an address? Or is home a place where your heart belongs, a family? Home will make you rethink and reflect about feelings of belonging and displacement. It’s a fresh and dynamic essay on those born this century, their predicaments and issues.

Director Fien Troch accomplishes an outstanding and complex result in her fourth feature, which she developed via Script ‘n Pitch at the TorinoFilmLab (in Turin, Italy) and won the Arte France Cinema Prize. Home is a very close to real portrait of the gaps between generations, fathers and sons, and their struggles to get along. Generations that are apart as a consequence of the extreme advance of new technologies like games and mobile phones. These technologies highlight their differences and pushing them further apart.

Home is very audacious in its analysis of the clash of generations especially because it takes a very deep look at the relationships between families and their kids, instead of kids and teachers. It will raise awareness in a very actual matter: a family’s responsibility to bring up their kids, instead of allowing them to be indoctrinated by schools.

The film focuses on the arrival of teenager Kevin at his aunt Sonja’s house after being released from prison for a very serious attack on a civilian during a street fight. Having been abandoned by his own family, Kevin develops in his new ‘home’ a close relationship with his cousin Sammy and his friends from school. This new group of friends and new lease of life will give him a new chance but also will call him to deal with his outbursts of anger in order to avoid living as a young delinquent. During this journey Kevin meets John and discovers that he’s not alone. Many young people of the same generation face similar problems, and broken families seem to be everywhere. Meanwhile the parents and especially Kevin’s aunt Sonja are struggling to establish a bond with their teenage children.

The Belgian director cleverly portrays the uphill struggle for teenagers. They are being raised by a generation of mothers and fathers who are dysfunctional themselves, and who do not have the skills and abilities to raise kids in such complex times. Home is a brave statement of the fragility of two generations, and the outcome may come as a shock to you.

Home showed at the 73rd Venice Film Festival (in 2016) as part of the Horizons Section, when this piece was originally written. It is out as part of the Docs from around the World Collection (part of the Walk This Way Collection) on VoD on April 9th (2018). Click here in order to view the film on iTunes.

American Anarchist

How do you bring a government down, create explosives and booby traps and confront military forces? Access to such devices is easier than you imagine. Published in the 1970s, the novel ‘The Anarchist Cookbook’ by William Powell sold over two million copies and can be found in online bookshops with just a click (such as here). There are individual “recipes” from the book widely available online and video experiments posted by some of those who risked cooking the explosives at home. Perhaps more significantly, the book content was used in order to kill many people, as revealed in this jarring documentary. American Anarchist examines the life and reasons that drove William Powell to write, publish and carry on allowing the distribution of such a dangerous and infamous book.

The director Charlie Siskel also produced Michael Moore’s Bowling for Columbine (2002). He may have realised then that at least one the perpetrators of the massacre portrayed in the film found inspiration in Powell’s book. He then began to research and to assemble material for his own documentary.

The script is very well-written. Siskel raises questions will leave you breathless in anticipation for the revelations about the journey of William Powell. Subject of this sharp investigative documentary, the author’s life is dissected by a long thought-provoking interview – possibly the only one he ever gave.

It’s impossible to comprehend the consequences of our choices when we are young. Young mothers who struggle to decide if they should keep or abort their babies. We can make many bad choices in marriages and careers. But could the writing and publishing of a book at the age of 19 be so regretful? And what to say of the actions of those who read and made use of its contents? Does the writer have any remorse?

William Powell wrote and published ‘The Anarchist Cookbook’ in the late 1960s at the end of the Civil Rights Movement. Surrounded by blacks, feminists and soon LGBT demonstrators, this period of time also saw the awakening of government and police force repression. Driven by passion and anger Powell researched and put together a vast and rich content on anarchy and technique to fight back the system. The author probably never guessed that his book would remain hugely influential more than 40 years later, and how many people used his ideas in order to carry out murder, massacre and to create chaos.

American Anarchist is a very necessary film because the subject of anarchism is still underrated, and there is a growing feeling that there is no justice in the American establishment. It helps to understand why some people become so disturbed, emotionally unstable and violent. American Anarchist is an electrifying movie to watch, and will remain an important case in the years to come about dysfunctional human behaviour and its brutal consequences.

American Anarchist is part of the 73rd Venice Film Festival taking place right now, which DMovies is covering live – the film is out of competition.

Watch the film trailer below:

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The Light between Oceans

“Welcome to the Commonwealth” – this might sound very contemporary in Brexit times, but instead the period drama The Light between Oceans takes us back to the time immediately after World War I in Western Australia, then an inhospitable commonwealth territory. Traumatised war veteran Thomas Sherbourne, magnificently played by Michael Fassbender, accepts an unpopular position as lighthouse keeper on Janus Island. The starting point of the film and the loneliness of Fassbender set path for the epic and disturbing story of the couple Thomas and Isabel (Alicia Vikander) and the price they pay for making the wrong choice.

The Light between Oceans is an adaptation of the eponymous novel by M.L. Stedman, directed by Derek Cianfrance, best known for Blue Valentine (2010). Cianfrance explained that at the age of eight or nine he imagined every home as an island. He collected his family’s secrets and confessions but didn’t make any use of those emotional memories until later on when he was given a copy of M.L. Stedman’s book. He then felt compelled to make the film.

Cianfrance is very careful in the way he extracts family revolutions and revelations from Thomas, Isabel and their small child Lucy-Grace. The unstable weather on Janus Island is somehow an extension of their emotions, cleverly expressed by the photography work of Adam Arkapaw. The beautiful sunrises and sunsets convey the tranquility of the time Thomas is on his own. The springiness of the Island during the discovery of love of the couple. The storm during the first natural miscarriage of Isabel. The grieving of the winds during Isabel’s miscarriages by the grave of her two dead babies over the hills. Or the whispering of the winds which brings the cry of the baby Lucy-Grace they find in an abandoned boat.

During the first part of the movie, Cianfrance builds the narrative around the relationship of the couple, until they suddenly find a dead man and a child in boat and decide to keep the child, making Isabel a mum and thereby helping her overcome her depression.

It’s in the introduction of the character Hannah Potts, played by Rachel Weisz, in the second half of the film that the other ocean (as in the the movie title) is revealed. Thomas finds out that Hannah is a widow and the biological mother of Lucy-Grace. The narrative suddenly takes a turn, examining the life story of Hannah and her late German husband.

The film then introduces a major dilemma: should Thomas and Isabel return the baby to her true mother or just carry on lying as if Lucy-Grace is their own baby?

The performance of Michael Fassbender is intense and delicate, portraying a man permanently dealing with his solace, in constant silence and unable to voice his emotions. Fassbender is the true light in this unabashed tearjerker. So don’t forget the tissues.

The Light between Oceans is part of official competition of the 73rd Venice Film Festival taking place right now. DMovies is live right now at the event bringing the best, dirtiest and the most though-provoking films exclusively for you.

You can watch the film trailer below:

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