Paul Risker (Film Critic and Editor)
An eccentric outsider and tea enthusiast toiling as an independent scholar, film critic and editor
Paul Risker is an English born scholar, film critic and editor with a postgraduate Masters in Film Studies. He regularly contributes to Film International, Cineaste Magazine, Little White Lies, Aesthetica and Flux Magazine. He has also written for VideoScope, Starburst Magazine and has interviewed for FILM4 FrightFest. Only recently he joined the advisory board of Mise-en-scène: The Journal of Film and Visual Narration, the official film studies journal of Kwantlen Polytechnic University in which he’s the section editor for interviews, genre cinema and film festivals.
He believes in a serious approach towards film criticism preferring contemplative over reactionary film criticism as a means to reveal the soul of a film and its filmmaker. His has been described as being philosophically inclined and possessing a spirit of critical inquiry by two of his editors, while his work has been described as precise and important. This critical inquiry he has sought to carry over into his published interviews with a diverse range of filmmakers and actors that include: Pablo Larraín, Tobias Lindholm, Kim Longinotto, Bruno Dumont, Pilou Asbaek, Barbara Crampton and Doona Bae amongst others.
Through his writing he has continued to nurture an interest in the triangular relationship of the film, the filmmaker and the audience, specifically the latter’s part in completing a film and also the transfer of ownership of a film. Additional interests include the transformationl nature of the creative process, and the way in which art shapes our understanding of our past, present and future. He now uses DMovies as a platform to offer thoughtful critical discussion and offer a new perspective on known and unknown gems of cinema.
You can e-mail Risker at email@example.com.
Other posts by Paul Risker
When does suffering become a communal duty? Laura is a manipulative female whose hefty demands emotionally drain and sexually exhaust her younger partner, in brilliant Canadian drama - in cinemas Friday, May 18th [Read More...]
On Chesil Beach
Say it with music! English drama set in 1962 uses music as a gauge for emotions and a tool for communication, in a culture where people struggle to express their feelings with words and with clarity - in cinemas Friday, May 18th [Read More...]
The Ballad of Lefty Brown
The glory and the pain of cowboy life! Solid western featuring Bill Pullman pays tribute to the exploits of the titular character in the burgeoning and mostly lawless American mythical heartland - now on DVD and VoD [Read More...]
The last one to die... American thriller/horror directed by Japanese filmmaker resorts to recognisable devices of the genre, effectively creating an emotional bond between viewers and the hapless victims of a sadistic sniper - out now on Shudder [Read More...]
The Strangers: Prey at Night
Are you into dirty carnal pleasures? Sequel of 2008 slasher doesn't cut any new ground in terms genre innovation, instead indulging in a feast of penetrative violence - in cinemas Friday, May 4th [Read More...]
The cruellest demon is never to be seen... Canadian filmmaker understands the power of inference, using our imaginations as a tool to create anticipatory fear in this simple yet effective horror - on VoD and DVD [Read More...]
Lies We Tell
A friendship Byrne out of indifference! Dramatic tale of cultural and inspirational angst comes under the veneer of an action flick, but beneath the surface it's far more nuanced - British movie featuring Gabriel Byrne is out in cinemas [Read More...]
Is this the enfant terrible of Latin American cinema?
In an exclusive interview with Dirty Movies, Chilean director Pablo Larraín discusses the use of silence, humour and other feats of The Club - a controversial movie about child abuse and the Catholic Church in his country [Read More...]