Paul Risker (Film Critic and Editor)
An eccentric outsider and tea enthusiast toiling as an independent scholar, film critic and editor
Paul Risker is an English born scholar, film critic and editor with a postgraduate Masters in Film Studies. He regularly contributes to Film International, Cineaste Magazine, Little White Lies, Aesthetica and Flux Magazine. He has also written for VideoScope, Starburst Magazine and has interviewed for FILM4 FrightFest. Only recently he joined the advisory board of Mise-en-scène: The Journal of Film and Visual Narration, the official film studies journal of Kwantlen Polytechnic University in which he’s the section editor for interviews, genre cinema and film festivals.
He believes in a serious approach towards film criticism preferring contemplative over reactionary film criticism as a means to reveal the soul of a film and its filmmaker. His has been described as being philosophically inclined and possessing a spirit of critical inquiry by two of his editors, while his work has been described as precise and important. This critical inquiry he has sought to carry over into his published interviews with a diverse range of filmmakers and actors that include: Pablo Larraín, Tobias Lindholm, Kim Longinotto, Bruno Dumont, Pilou Asbaek, Barbara Crampton and Doona Bae amongst others.
Through his writing he has continued to nurture an interest in the triangular relationship of the film, the filmmaker and the audience, specifically the latter’s part in completing a film and also the transfer of ownership of a film. Additional interests include the transformationl nature of the creative process, and the way in which art shapes our understanding of our past, present and future. He now uses DMovies as a platform to offer thoughtful critical discussion and offer a new perspective on known and unknown gems of cinema.
You can e-mail Risker at email@example.com.
Other posts by Paul Risker
The man behind the great women
We interview the documentarist Mark Cousins, as he releases his 14-hour cinematic journey through the history of female directors [Read More...]
Women Make Film: A New Road Movie Through Cinema
Female directors search for meaning in the highly subjective world of the seventh art, in Mark Cousins's 14-hour masterclass in filmmaking - on VoD on Monday, May 25th [Read More...]
We Summon the Darkness
Three American friends on their way to a remote country house encounter a group of sadistic killers, in this popcorn slasher tearing apart right-wing conservatives - on VoD and DVD [Read More...]
A teen grappling with his parents' imminent separation finds out that a witch is posing as his father's neighbour - on VoD on Friday, May 8th [Read More...]
The time for burning bridges!
The director of superb and lyrical masterpiece FIRE WILL COME talks about making an "essential" movie, filming inside real fires, and crossing the boundaries between commercial and art cinema, in exclusive interview [Read More...]
From fast cars to quiet horses: a wild journey into filmmaking
Nick Rowland, the British director of Calm with Horses, talks about a sudden career change from motorsport to cinema, his latest "hyper-violent" movie and filmmaking fatigue, in exclusive interview [Read More...]
Calm with Horses
In rural Ireland, an ex-boxer uses violence as a currency while also caring for his autistic son, in this complex meditation on sacrifice, kindness and humanity - on VoD On Monday, April 27th [Read More...]
The dirty secrets of Oliver Hermanus
The director of South African movie MOFFIE, about homosexuality in the army during the Apartheid, pours his heart out as he talks about his insecurities as a filmmaker, trusting audiences, the role of music and much more, in exclusive interview [Read More...]
Quarantine reveals its monstrous face, in this Irish horror about a marooned fish trawler infected with a horrific parasite - on Digital Friday, April 24th [Read More...]
Dirtylicious twists drive the narrative of this American survival thriller about three friends stranded on a yacht and grappling with tension and trust - from FrightFest [Read More...]
Ready or Not
Grace has to hide from her murderous in-laws immediately after her luxurious wedding, in this American blend of black comedy and horror - now available on VoD [Read More...]
Jellyfish exposes Britain as a disingenuous dystopia
Dirty writer Paul Risker argues that James Gardner’s feature debut is a scathing social and political indictment, bursting their proverbial bubble of a utopian dream of British unity [Read More...]
American exploitation movie offers dystopian view of the most powerful country in the world, while also timely echoing Trump's rhetoric of violence and attacks on the press - now available on VoD [Read More...]
The Captain (Der Hauptmann)
WW2 drama about German soldier who impersonates a captain blends the beautiful with the monstrous and raises moral questions about our passivity as viewers - on VoD on Monday, October 1st [Read More...]
When does suffering become a communal duty? Laura is a manipulative female whose hefty demands emotionally drain and sexually exhaust her younger partner, in brilliant Canadian drama - in cinemas Friday, May 18th [Read More...]
On Chesil Beach
Say it with music! English drama set in 1962 uses music as a gauge for emotions and a tool for communication, in a culture where people struggle to express their feelings with words and with clarity - now available on VoD [Read More...]
The Ballad of Lefty Brown
The glory and the pain of cowboy life! Solid western featuring Bill Pullman pays tribute to the exploits of the titular character in the burgeoning and mostly lawless American mythical heartland - now on DVD and VoD [Read More...]
The last one to die... American thriller/horror directed by Japanese filmmaker resorts to recognisable devices of the genre, effectively creating an emotional bond between viewers and the hapless victims of a sadistic sniper - out now on Shudder [Read More...]
The Strangers: Prey at Night
Are you into dirty carnal pleasures? Sequel of 2008 slasher doesn't cut any new ground in terms genre innovation, instead indulging in a feast of penetrative violence - available on VoD on Monday, August 20th [Read More...]
The cruellest demon is never to be seen... Canadian filmmaker understands the power of inference, using our imaginations as a tool to create anticipatory fear in this simple yet effective horror - on VoD and DVD [Read More...]
Lies We Tell
A friendship Byrne out of indifference! Dramatic tale of cultural and inspirational angst comes under the veneer of an action flick, but beneath the surface it's far more nuanced - British movie featuring Gabriel Byrne is out in cinemas [Read More...]
Is this the enfant terrible of Latin American cinema?
In an exclusive interview with Dirty Movies, Chilean director Pablo Larraín discusses the use of silence, humour and other feats of The Club - a controversial movie about child abuse and the Catholic Church in his country [Read More...]