Michael McClure (Film-lover)
British "Augenmensch" who finds in cinema a venting outlet for liberalism and intelligence
I am what the Germans call an “Augenmensch” (an eye person). I love spectacle and what can be appreciated by the eye, whether it be a baroque church, the beauty of a High Mass, lovely women in a fashion show, the cities of Paris, Venice or Rome, beautiful men and the best of cinema.
Ever since when, as a 9-year-old, I saw the sun rising over the desert to the fabulous music of Michel Jarre in Lawrence of Arabia (David Lean, 1962), the approach of von Aschenbach’s steamer chuffing towards Venice in Death in Venice (Luchino Visconti, 1971) to the sound of the Adagietto of Mahler’s 5th Symphony or Angelica Huston’s beautiful account of her lost love of Michael Furey in John Huston’s adaptation of James Joyce’s The Dead (1987), I have believed that cinema is an important and vital way to access our deepest emotions and understanding of life.
I am no cinema snob. I don’t necessarily rush out to see the latest art house hit. I am not necessarily interested in genre. I am happy to see an Ealing Comedy, a Carry On Film, a war movie, a rom-com or a documentary. What I do care about is that a film is honest, its makers know what they are doing and do not propagate badly thought out or exploitative ideas.
I have been going to the cinema for years. In my twenties, it was virtually every Saturday night (perhaps I should have been clubbing). The BFI has been for me ever a wonderful haven of liberalism and intelligence, especially in the darkest days of Thatcherism. I still love it when the lights go down, the censorship certificate is shown, and the studio credits are displayed.
Throughout my life, I have been involved in many things, the law, market research, language teaching, three degrees and my excellent friendship with Victor Fraga, DMovies’ founder. I hope to bring you honest and informative reviews.
Other posts by Michael McClure
The Third Wife
Exquisite Vietnamese drama investigates a society where tradition and social expectation govern the lives of everyone, and a woman is defined by the ability to reproduce - in cinemas Friday, May 31st [Read More...]
Caustic and stringent satire of Silvio Berlusconi's Italy is one of the most subversive pieces of political filmmaking you will see in a long time - in cinemas Friday, April 19th [Read More...]
Mommy and daddy are elated as their little son shows signs of rapid development and extreme intelligence, unaware that these are symptoms of something very sinister - in cinemas Friday, March 15th [Read More...]
Is this the Irish Daniel Blake? Young mum-of-four faces poverty and homelessness in a Dublin that has little time for those caught on the wrong end of the capitalist system - in cinemas Friday, March 8th [Read More...]
The White Crow
The story of Rudolf Nureyev's defection to the West becomes a British film directed by Ralph Fiennes, and it examines the ballet dancer's unapologetic "outsiderness" - in cinemas Friday, March 22nd [Read More...]
Monsters and Men
Afro-American man accidentally witnesses and films the police killing of another Afro-American, in powerful drama about getting trapped in the machinations of power - in cinemas Friday, January 18th and on VoD on Monday, January 21st [Read More...]
Biopic of French writer Sidonie-Gabrielle Colette starring a stunning Keira Knightley details her struggle to overcome strict societal constraints of the Belle Époque and to become an artist in her own right - in cinemas from Wednesday, January 9th [Read More...]
British public school spin on Cyrano de Bergerac features a dazzling Alex Lawther as the school runt, yet it fails some of the rules of a good farce - in cinemas February 22nd (2019) [Read More...]