Linda Marric
Linda Marric (Journalist and interviewer)
Linda is a very passionate and opinionated writer with a taste for innovative and groundbreaking sci-fi
Linda Marric is a freelance film journalist and interviewer. She has written extensively about film over the last decade. After graduating with a degree in Film Studies from King’s College London, she has worked in post-production on a number of film projects and had a short stint working at the BFI London Film Festival. She has a huge passion for intelligent scifi. Her favourite movie of all time is still Brazil (Terry Gilliam, 1985).
Other posts by Linda Marric
The Farthest
Doc takes a fascinating and nostalgic look at the Voyager and the truth unearthed in the past 40 years, since Nasa launched the twin crafts into space - in cinemas
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City of Ghosts
Documenting the documentarists: Matthew Heineman's latest film follows a group of extremely brave citizen-turned-journalists named “Raqqa is Being Slaughtered Silently” in the Syrian War - in cinemas this week
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A Dog’s Purpose
Don't forget your hankies: this over-sentimental tale of doggy reincarnation isn't a particularly dirty, audacious and innovative movie, yet it's an immensely effective tearjerker - in cinemas this week
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Mission Control: The Unsung Heroes Of Apollo
Doc retells fascinating anecdotes from the "founding fathers" of the Apollo space programme; sadly women are conspicuous in their absence, but the filmmaker finds a clever solution for such lack of representation
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All These Sleepless Nights (Wszystkie Nieprzespane Noce)
Embark on a one-night binge into self-discovery throughout the streets of Warsaw with Michal and Krzysztof, in a semi-fictional feature by Michal Marczak - this week at the Barbican
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We are X
Meet the exotic Japanese who've rocked the world for 35 years with their exhilarating performances, outlandish costumes and... the hysterical fall-outs! In cinemas on February 28th
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The Darkest Dawn
Is it possible to bring a fresh twist on the well-worn found footage genre? 'The Darkest Dawn' is both entertainment and technically accomplished, but the script has too many loose ends - out in cinemas in January
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