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PÖFF’s Main Competition showcases an audacious selection of world cinema

Now in its 26th edition, the Tallinn Black Nights Film Festival announces its truly diverse selection, once again reminding Europe and the world why the Estonian capital is the city of world cinema!

One of the most diverse, exciting and accessible film festivals in the world celebrates its 25th birthday this year. The PÖFF Tallinn Black Nights Film Festival takes places between November 11th and 27th in the Estonian capital and also in Tartu, the country’s second largest city.

The breadth and the depth of the event are truly astonishing, and particularly remarkable for a nation of just 1.3 million inhabitants. Northern Europe’s only A-list Fiapf-accredited film festival includes a Official Selection Competition, a First Feature Competition, the Estonian Olympic Committee, Sports Film Programme, PÖFF Shorts (which is also competitive) a Baltic Film Competition, a Youth and Children’s Festival, KinoFF (a side event for Russian-speaking audiences), Rebels With a Cause (a strand devoted to experimental and audacious filmmakers), a glitzy opening and closing ceremony in two of the city’s charming concert halls, and much more. Oh, and this year the Festival features a Critics’ Picks session for the very first time. Meanwhile, the Industry @ Tallinn & Baltic Event caters for industry professionals, with a focus on sustainability this year.

Expect a much bigger, brighter and louder event this year, as the world resumes relative normality after two years of pandemic turbulence (the Festival, however, was held in its full format both in 2020 and in 2021; nothing short of a film miracle). What’s great about Tallinn is that despite the vast number of films and strands, networking and access to talent are extremely straightforward. You can meet both nascent and established directors after the screenings, in the lobby of the Nordic Hotel or at the cosy Naganaga Bar and Restaurant (but pssst; this one is a well-kept secret you don’t want to share with everyone). Did I mention prices too are accessible, and people very kind and helpful?

DMovies has attended the event yearly for five years, and we couldn’t be happier to return in 2022, with three journalists (myself, Jeremy Clarke and Livan Garcia-Duquesne) in loco plus a kind helping hand from Paul Risker, remotely from Birmingham!

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Diverse is the word/world

The films represent the diversity of geography, genre and theme present in this year’s refreshed competition programmes, with films coming from both renowned, multi-award-winning auteurs and returning Black Nights favourites. It includes 18 world and four international premieres, from 22 different countries.The 26th edition of Tallinn Black Nights will introduce one new competition programme, Critics’ Picks, led by critic and programmer Nikolaj Nikitin. Critics’ Picks joins the established Official Selection, First Features, Baltic Competition and Rebels with a Cause programmes. Critics’ Picks was introduced to highlight more arthouse fare in the PÖFF lineup, starting with around 15 features in its first year. This year’s Baltic Competition will exclusively screen fiction films and also considers minority Baltic co-productions. Rebels and First Features competitions will continue to represent their respective niches – experimental works and fiction debuts.For the first time, most programmes also have their own lead curators – with Triin Tramberg handling First Features, Edvinas Pukšta on Baltic Competition duty, Javier Garcia Puerto heading the Rebels programme, Helmut Jänes leading Midnight Shivers and Tiit Tuumalu responsible for DOC@PÖFF.Israel is in Focus country this year, alongside a Showcase of Brazilian cinema.

Below are all the films in the Main Competition of the 26th Tallinn Black Nights Film Festival:

  • Hit Big (J.-P. Valkeapää);
  • And Yet We Were All Blind (Béatrice Pollet);
  • Jailbird (Andrea Magnani);
  • Piece Of My Heart (Dana Nechushtan; pictured in the middle of this article);
  • The Fox (Adrian Goiginger);
  • Lucky Girl (Marysia Nikitiuk);
  • Night (Mona Hoel);
  • Bungalow (Lawrence Cote Collins);
  • Cold as Marble (Asif Rustamov);
  • Sanaa (Sudhanshu Saria);
  • Ann (Ciaran Creagh);
  • Sashenka (Alexander Zhovna);
  • Ducks An Urban Legend (Shachar Rozen);
  • Plastic Symphony (Juraj Lehotský);
  • Servus Papa, See You in Hell (Christopher Roth);
  • Stiekyt (Etienne Fourie; pictured at the top of this article);
  • Driving Mum (Hilmar Oddsson);
  • A Cup of Coffee and New Shoes (Gentian Koçi);
  • The Wastetown (Ahmad Bahrami);
  • River of Desire (Sergio Machado);
  • Ginji The Speculator (Ryuichi Mino);
  • 578 Magnum (Lương Đình Dũng); and
  • The Punishment (Matias Bize).

By Victor Fraga - 26-10-2022

By Victor Fraga - 26-10-2022

Victor Fraga is a Brazilian born and London-based journalist and filmmaker with more than 15 years of involvement in the cinema industry and beyond. He is an LGBT writer, and describes himself as a di...

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