DMovies - Your platform for thought-provoking cinema

After the Wedding

Director - Bart Freundlich - 2019

"Mostly clean movie"
Remake of Danish movie starring Julianne Moore and Michelle Williams attempts to tell a complex and multibranched story, but the intriguing layers are never fully fleshed - in cinemas Friday, November 1st

Isabel (Michelle Williams) is first seen meditating with a group of children on a vastly scenic temple in India. She works for an Indian orphanage struggling to secure sufficient funds. This sets off a divisive plot point that has always been a very common archetype for movies regarding the white saviour in a foreign land, realising the penury its indigenous masses endure on a daily basis. Isabel is considerably not only the ‘saviour’, but a mother to the children, especially Jai (Vir Pachisia), a boy who was discovered abandoned when he was a baby, and taken to care by Isabel.

When a wealthy benefactor has a potential offer to donate to the orphanage, Isabel flies to New York, where she’s uncomfortably accustomed to a glamourised suite and suits with assistants. She meets Theresa (Julianne Moore), the benefactor. Immediately there’s something strange about their exchange. Could it be Isabel’s muted percipience on the luxurious and all too bourgeoisie lifestyle Theresa instinctually exhibits? Could it be the impassive nature of Theresa’s business, and the lack of genuine empathy for a cause which seems to be the only thing motivating Isabel? Yes, those are pretty instant factors that are played too easily on the nose, but there’s something deeper that eventually adds up.

Their meeting is quick and futile, but Theresa questionably invites Isabel to her daughter’s wedding. Isabel attends the wedding only to make a discovery that further unveils a traumatic backstory between Isabel, and Theresa’s husband, Oscar (Billy Crudop), and the bride herself, Grace (Abby Quinn).

After the Wedding is a remake of Susanne Bier’s Danish film of the same title starring Mads Mikkelsen. This version switches the roles, yet tells the same story. The wedding itself serves as a metaphor for drastically committing to life term decisions without truly understanding the principles behind the commitment. Grace inexplicably marries when she truly isn’t ready to, in the same way Theresa, Oscar, and Isabel weren’t ready to be parents at a time of ignorant bliss, and that all pretty much intersects after the repercussions of what transpires during the wedding.

Oddly enough, both this remake and the Danish film aim to tell three different stories and are only really interested in one. One story being the secret the main players discover and how they all emotionally learn to come to terms with it. The second being a more intriguing story on the all too parallel but all too contrasting nature of the Americanised-higher class culture meshing with an American’s refined experience for a culture which serves little to no attention to finding significance to insignificant attributes for happiness. The third being the white saviour of an Indian orphanage.

The drama After the Wedding seems all too contradictory and manipulative. It becomes clear Grace is the key, and ironic mirroring image for Theresa, Oscar, and Isabel. Her involvement in the discovery of a long living secret has her switching personalities, and making decisions that don’t really ever seem realised. And Theresa’s motives, which gradually builds up towards the end, seems all too coincidental and heavy handed.

As a remake, what is After the Wedding trying to say that can be taken by its viewers to an abstruse means? Why include the backdrop of the Indian orphanage other than to convey Isabel’s desensitised perception of Americanised culture (this specifically being rich white people from New York)? Could’ve there been a deeper, perhaps more singular story of the boy, Jai (maybe aim for a mainstream take on an ‘Apu’ trilogy narrative)? And if not, could’ve we’ve just gotten an entire film set on the night of the wedding with no immediate backstory to the main players?

It feels all too polished, strongly relying four very good performances. But what After the Wedding proves as a remake, is its lacking approach for telling a story beyond its original story. Its images and ideas open for intriguing premises that are only there to strike a sentiment already too familiarised.

After the Wedding is in cinemas on Friday, November 1st.



"Mostly clean movie"

By Daniel Luis Ennab - 04-10-2019

By Daniel Luis Ennab - 04-10-2019

Daniel Luis Ennab is an independent filmmaker and writer based in Brooklyn, New York. ...

DMovies Poll

Are the Oscars dirty enough for DMovies?

View Results

Loading ... Loading ...

Most Read

Just a few years back, finding a film [Read More...]
Forget Friday the 13th, Paranormal Activity and the [Read More...]
A lot of British people would rather forget [Read More...]
Pigs might fly. And so Brexit might happen. [Read More...]
Holidaying in Cambodia with Isaac (Ross McCall), Ben [Read More...]
QUICK SNAP: LIVE FROM CANNES A small family [Read More...]

Read More

American Woman

Jake Scott
2019

Jack Hawkins - 11-09-2019

Life must go on on for a young woman after her teen daughter goes missing, in this dirty kitchen sink drama starring Sienna Miller - in cinemas Friday, October 11th. [Read More...]

Destination Wedding

Victor Levin
2019

Michael McClure - 05-05-2019

Strangers on their way to a wedding bond through their mutual hate of pretty much everything and everyone they know, in romcom featuring Keanu Reevs and Winona Ryder - in cinemas Friday, May 10th [Read More...]

Suburbicon

George Clooney
2017

Victor Fraga - 02-11-2017

George Clooney's satire of suburban "Little America" has quite a few problems, but it still conveys a fitting message of tolerance plus it's mostly enjoyable to watch - in cinemas [Read More...]

Facebook Comment

Website Comments

Leave a Reply

Your email address will not be published. Required fields are marked *