Paul Risker is an English born scholar, film critic and editor with a postgraduate Masters in Film Studies. He regularly contributes to Film International, Cineaste Magazine, Little White Lies, Aesthetica and Flux Magazine. He has also written for VideoScope, Starburst Magazine and has interviewed for FILM4 FrightFest. Only recently he joined the advisory board of Mise-en-scène: The Journal of Film and Visual Narration, the official film studies journal of Kwantlen Polytechnic University in which he’s the section editor for interviews, genre cinema and film festivals.
He believes in a serious approach towards film criticism preferring contemplative over reactionary film criticism as a means to reveal the soul of a film and its filmmaker. His has been described as being philosophically inclined and possessing a spirit of critical inquiry by two of his editors, while his work has been described as precise and important. This critical inquiry he has sought to carry over into his published interviews with a diverse range of filmmakers and actors that include: Pablo Larraín, Tobias Lindholm, Kim Longinotto, Bruno Dumont, Pilou Asbaek, Barbara Crampton and Doona Bae amongst others.
Through his writing he has continued to nurture an interest in the triangular relationship of the film, the filmmaker and the audience, specifically the latter’s part in completing a film and also the transfer of ownership of a film. Additional interests include the transformationl nature of the creative process, and the way in which art shapes our understanding of our past, present and future. He now uses DMovies as a platform to offer thoughtful critical discussion and offer a new perspective on known and unknown gems of cinema.
You can e-mail Risker at firstname.lastname@example.org.