QUICK SNAP: LIVE FROM BERLIN
A film critic once famously said that seeing an Eric Rohmer movie was the equivalent to “watching paint dry”. Now Korean filmmaker Hong Sangsoo has excelled the late French director and created a film with a pace even more painful and sluggish. This is a hitherto unthinkable achievement. Seeing On the Beach at Night Alone is equivalent to watching paint fade.
Younghee (Kim Minhee) is a famous actress who travels to Hamburg to meet a friend. They walk through wintry parks and riverbanks reflecting about the meaning of love, men, ageing and so on. The beautiful artist, who is probably in her 30s, reveals that she has recently ended an affair with a married man. Back in South Korea, Younghee meets up with some old friends in the coastal town of Gangneung. They engage in prolongued conversations about more or less the same platitudes.
At less than 100 minutes, On the Beach at Night Alone isn’t a particularly long film. But the dialogues are so banal, that the film becomes insufferable after just 30 minutes or so. Similarly to Rohmer, the movie is almost entirely conversational and much of the “action” takes place in parks or around the dinner table. The beach in the film title refers to the place where Younghee goes to relax and meditate. She sits in front of the sea staring at the horizon for long periods of time. It’s almost as if she was waiting for a magic sign from the waters, just like in Eric Rohmer’s The Green Ray (1986). Ursuprisingly, nothing ever happens.
What might surprise you is that, in reality, I like Eric Rohmer’s movies a lot. I have seen nearly every one of them. On the other hand, On the Beach at Night Alone was an excruciating experience. I have some possible explanations for the disconnect:
Perhaps the problem is a strange camera zoom-in replicated in almost every sequence of the movie. Maybe it’s the constant repetition of Franz Schubert’s Cello Quintet in an apparent attempt to emphasise solitude and inwardness. Despite liking Schubert, the tune is mercilessly piercing my brain right now as I write this. Or it could be the triviality of the girly chit-chat and petit-bourgeois themes: “which girl is the prettiest?”, “am I too old?”, and so on. Or maybe I’m just too Western to understand Korean sensibility?
Whatever the answer, I think you may have gathered by now that neither I enjoyed and nor would I recommend this film to anyone. Unless you enjoy watching paint fade.
On the Beach at Night Alone is showing part of the Official Competition of the 67th Berlin International Film Festival taking place this week, which DMovies is following live. Click here for more information about the event.
You can watch the film trailer right here:
A few months later, after watching a couple more films by the Korean director, Victor Fraga changed his views about Hong Sangsoo. Click here in order to find out what Victor Fraga thinks about Hong Sangsoo now!