DMovies - Your platform for thought-provoking cinema

The neverending rape

Did Maria Schneider feel violated every time a viewer was aroused by the butter scene in 'The Last Tango in Paris'? And were we all silent accomplices of rape for four decades?

“So famous people have now repudiated the rape scene in The Last Tango in Paris! Maria Schneider denounced it years ago, but but you only believed it when one of the rapists finally admitted to the crime. I’m thinking of the technicians who watched in silence the live spectacle of woman being violated. Most of them were probably men, and they never said a word. Instead they left the ‘mad’ Schneider screaming on her own for decades. They are all accomplices. All captured on film and celebrated as a cinema masterpiece. At that moment, they destroyed the life of a 19-year-old girl, who then became ‘the butter woman’ and gets raped every time a man gets aroused or ejaculates to the scene. Forty years being raped. Accomplices. Accomplices. Co-authors.”

The words above came from my friend Tainá Moraes, who shared her frustration and anger about the latest Bertolucci controversy with her friends on Facebook. The Brazilian designer and art history student, mother to one child, felt that the Italian director was an accessory to the rape of Maria Schneider during the filming on the famous/infamous butter sequence with Marlon Brando in his 1971 classic Last Tango in Paris. She also felt that the conspicuous absence of public commotion when Schneider first denounced the events in an interview in 2007 makes us all accomplices of a very heinous crime.

The Italian director confessed that the rape sequence was non-consensual in an interview in 2013 (below), that has now resurfaced. He then tried to play it down by arguing that only the butter element wasn’t disclosed in the film script, but that Schneider was aware of the violence all along. One way anothe other, there was at least one non-consensual element in the sequence. We must not underestimate its impact on the actress’s subsequent life – regardless of whether this constitutes constitutes rape from a legal perspective or not or not. The French artist never again filmed another sex scene and she suffered from depression until her untimely death to cancer in 2011, suggesting that the events indeed afflicted the woman for the rest of her life.

I personally don’t hold the view that every single person aroused by the scene and the crew were rapists, and that all viewers were accomplices. I am also not convinced that Brando is a rapist and Bertolucci an accessory to rape because we just don’t have enough evidence about what happened and – since Schneider is dead – never will. We simply don’t know how much of the violence was non-consensual in order to make a judment “beyond reasonable doubt”.

Yet I think that Tainá’s words are extremely revelant because they illustrate what likely went through Maria Schneider’s mind for four decades. Even if she wasn’t, Schneider probably felt that she being raped – and she probably harboured this feeling for the rest of her life. It took 35 years for Schneider to open up about what happened that day. It’s a safe assumption that she struggled to talk about the incident, and that it continued to haunt her for the rest of her life, taking its toll on her mental health, career, her relationships and pretty much everything else.

 

tango
Schneider and Brando, in a less controversial moment of ‘Last Tango in Paris’

 

Sexual liberation backfired

Cinema is a very powerful weapon. It can raise awareness of a cause, give a group a sense of identity, give unsung artists a voice, speak up for marginalised communities, immortalise people and moments. Sadly, it had precisely the opposite and undesired effect in this case: the success of Last Tango in Paris perpetuated Maria Schneider’s unspoken pain.

Ironically, Last Tango in Paris became a symbol of the sexual liberation movement of the late 1960s and 1970s, which now makes this discussion ever so urgent and pertinent. How could a woman be raped and traumatised at a time when sexual freedoms were encouraged and celebrated? Was the sexual liberation of women merely for the pleasure of men? Can you force sexual liberation on someone? These questions are rethorical, rest assured. Their answers are bright as daylight.

Bertolucci made at least two very serious mistakes. Firstly, the non-consensual act – regardless of whether it was just the butter or not. Secondly, his initial hesitance in recognising the seriousness of the situation, – dismissing the controversy instead as “ridiculous” – only aggravated it, revealing a sheer insensitivity towards female feelings and vulnerabilities. The director’s attitude undermines the sexual movement of which he became an exponent. After all, there is no sexual liberation without multiple respect. Sexual freedom is not the same as profligacy. Liberty is not libertarianism.

 

 

 

 


By Victor Fraga - 06-12-2016

By Victor Fraga - 06-12-2016

Victor Fraga is a Brazilian born and London-based writer with more than 15 years of ...

DMovies Poll

Do/would you go to the cinema in order to watch documentaries?

View Results

Loading ... Loading ...

Most Read

François Ozon probably doesn’t get much sleep. At [Read More...]
Pigs might fly. And so Brexit might happen. [Read More...]
Time flies by! DMovies was launched in February [Read More...]
American novelist Dennis Cooper’s cinematic debut feels like [Read More...]
It’s 2018, and neoliberalism is steadily morphing into [Read More...]
On the occasion of the UK release of [Read More...]

Read More

On Body and Soul (Testről és lélekről)

Ildikó Enyedi
2017

Jeremy Clarke - 19-09-2017

See you in my dreams! Golden Bear winner is an oneiric romance set against the unlikely backdrop of an abattoir - out in cinemas this week [Read More...]

Five dirty picks from the Raindance Film Festival

 

Victor Fraga - 18-09-2017

Check out top five recommendations for the Raindance Film Festival, one of the largest showcases for independent cinema in the world, starting this week in London [Read More...]

The Road Movie

Dmitrii Kalashnikov
2017

Victor Fraga - 14-09-2017

This jaw-dropping documentary entirely filmed from dashcams on Russian cars provides a shocking, bleak and despondent portrait of the largest country in the world - at Hot Docs London [Read More...]

Facebook Comment

Website Comments

Leave a Reply

Your email address will not be published. Required fields are marked *